I think I am actually another of these desert-loving English. Not quite the Sahara, but 40sq miles of desert canyons, gullies, cliffs and ravines, it's pretty unique and a privilege to see this incredible landscape at sunrise, sunset and at night. And with a 360˚ view, I'm not sure I've ever stayed in such an extraordinary place either - for anyone old enough to remember the reference, it feels like somewhere from the Martian Chronicles. Seems only right to shoot this little project in a suitably dramatic way with an anamorphic 2.66:1 ratio.

Back on to project Porsche. Some projects for all sorts of reasons aren't so enjoyable, but some really hit the spot and so far, this one has been a lot of fun. Looking forward to the next installment.

I can't say I haven't been quite lucky with some of the places I've worked in over the years. Air is arguably the finest studio of its kind anywhere in the world and to be back working here again, in this amazing iconic space, is such a privilege. It has probably been well over ten years, since I was last here, filming the James Bond brass section recording some of the great Bond themes with David Arnold. This time it has been a forty piece string orchestra, but I really can't say any more than that for now...